Ginger rogers dancing with grandson
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In the ensuing months after his last movie at RKO with Rogers, Astaire went through what Hermes Pan described as a “crisis.” The choreographer admitted in a 1972 interview that it often infuriated Astaire to see Rogers so readily accepted by the public as a solo star.
Ginger Rogers Dances with Her Great-Grandson?
Video clip shows 92-year-old Ginger Rogers dancing the salsa with her great-grandson.
Never underestimate an old gal
Talk about dancing with the stars!
Keep watching after the first dance.
The unique one.”
Three years later, she again mourned the loss of a key figure in her life and career when Hermes Pan died at the age of 80. Instead, she took up salsa as a way of getting over her husband's death.
"It was a form of therapy. From Youtube
Just as Fred Astaire had avoided repeating dance routines, he also chose not to sing tunes from his preceding films.
It was there that she won the Texas State Charleston Championship when she was 14, landing her a stint on the vaudeville circuit and launching her show-business career. The best.
She had a particular rapport with Newman, who “took her ideas and put them on paper,” remembered Olden.
Although Swing Time received a rapturous reception and is one of the more revered Astaire and Rogers films, the profits were not as large as those for Top Hat and its successor, Follow the Fleet (1936).
“To me, Fred will always be Mr. Terrific,” she said in a 1976 interview, “I would love to perform again with him, but Fred says he’s not interested. On stage, Astaire had starred in Gay Divorce with Claire Luce, and she was more attuned to slow, romantic dances like “Night and Day” than was Rogers, who had never received any formal dance instruction.
When she first arrived in Hollywood, Rogers had little desire to pursue the musical genre, preferring to enhance her acting abilities in dramas and occasional comedies.
After Girl Crazy opened in October, Astaire and Rogers went out on a few dates, dining and dancing at the exclusive Central Park Casino.
“These were not characters full of antics, they were real people,” elaborated George Stevens, Jr. As a result, Swing Time was considered a middle-class version of Top Hat, depicting the struggles of the working class during the Depression. “They had stolen the picture.”
When they made their first movie together, the two were hardly strangers, having met three years earlier when both were starring on Broadway.
They all wanted to write for these two people.” The songs “The Continental” and Swing Time’s (1936) “The Way You Look Tonight” both won an Academy Award for Best Original Song. Heck I couldn't have done it when I was 30, she's good. Yet this masterful film partnership was not planned; it was a twist of fate, or, as Rogers described it, “a wonderful happening.”
When Astaire was assigned to Flying Down to Rio, it was only his second movie and his first at RKO, but the 34-year-old had just begun his third decade as a professional dancer.
After spending her early years in Kansas City, at the age of nine, she moved with her mother, Lela, and her new stepfather to Texas. Astaire insisted that only he, Rogers, Pan, their pianist, Hal Borne, and sometimes, whoever was composing the music, be allowed into the rehearsal hall. However, the 2009 film clip displayed above doesn't feature a 92-year-old Ginger Rogers dancing with her great-grandson, as passed away in 1995 at the age of 83.
The woman featured in this clip is Sarah "Paddy" Jones, a 75-year-old (as of 2009) former proprietor of a fabric shop in Stourbridge, England, who relocated to Spain and took up salsa dancing after her husband died in 2003.
No matter the partner, the inevitable comparisons to Rogers never failed to be made. It was on the “big, thick, ugly awkward rug in the lobby of the Alvin Theatre,” as Astaire remembered it, that he and Rogers first danced together. Insecure in the knowledge that he did not possess the “Romeo” persona of a leading man like Clark Gable, he received this assessment on an early screen test: “Absolutely no screen personality.”
After making Dancing Lady (1933) at Metro-Goldwyn-Mayer (MGM) with Joan Crawford, Astaire signed with RKO and awaited word on who his female dancing partner would be in Flying Down to Rio.