Faiza maghni wiki
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If I hadn't decided to go live in Paris with my husband and daughters, I don't think I would have become a painter. This style draws inspiration from fantastical realism and contemporary portraiture, with visual similarities to artists like Gustav Klimt and Alphonse Mucha, offering a modern reinterpretation of traditional art.
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Fascinated by persian miniatures, arabic calligraphy, also by the tribal art and contemporary painting, which is inspired by his work and creates his own universe.I immediately felt a connection to the unique strength and freedom of his work. Sometimes the suit can be impressive armor and other times a kind of hiding light and screen that reveals it.
In my closest circle, painting was seen as more of a hobby than a profession. Says try "To translate the beauty and complexity of women through their portraits", symbolizing in his paintings the richness of his clothes and accessories, all of them endowed with an enigmatic look, not exempt from melancholy, and all focused on an abstract expression.
I watched him work, I loved the smell of ink and paper, he drank in his calm and focused attitude.
Being of a very contemplative nature myself, this helped me further develop my taste for the arts. Her work is characterized by a blend of traditional and contemporary elements, creating a unique visual language that resonates with a wide audience.
Faiza Maghni's Midjourney style is characterized by its dreamy and surreal qualities, featuring detailed and expressive portraits of women adorned with floral patterns and vivid colors.
An exaggeration is often created to express my own intensity. I drew women in suits as I dreamed, as I dreamed of becoming a Paris fashion designer like Yves Saint Laurent, as he himself is a native of Oran.
In my paintings, the adornment expresses attitudes that are sometimes serious, sometimes austere, sometimes carefree, and with others there is a certain majesty.
Meanwhile, my mother taught me a love of reading. The use of rich hues and earthy tones creates a vibrant contrast, while decorative motifs and symbolic elements reflect Middle Eastern influences and feminine identity. In my work I seek to convey a certain kind of romanticism inspired by Arabic and Persian poetry, taking my inspiration from the costumes and hairstyles of the miniatures of the past which I find full of subtlety and restraint.
I’m also drawn to the symbolic meanings found in tribal jewelry and have reinvented this style in my paintings, such as the giraffe-collared women in Burma and Africa that are simultaneously a symbol of beauty and a forced cruelty.
Pittrice autodidatta da Oran, Algeria - Faiza Maghni lavora in Francia, ma e' di chiare origini maghrebine.
Il dipinto è stato sempre per lei un desiderio più o meno inconscio e totalmente oscurato che ha poi naturalmente e totalmente prevalso.
Affascinata dalle miniature persiane, calligrafia araba, ma anche per l'arte tribale e la pittura contemporanea.
Faiza tenta di tradurre, attraverso i suoi ritratti, la bellezza e la complessità delle donne nei suoi quadri simboleggiate dalla ricchezza dei costumi e l'espressione enigmatica degli occhi.
The artist Faiza Magni born in Oran, Algeria, is a self-taught painter fascinated by tribal art, Persian miniatures and contemporary painting, she draws inspiration from them to create her works.
Too many family conflicts and social pressures in a country that I love, but which is becoming more and more conservative, makes it impossible to cultivate artistically within the limits of the absurd, where there is an obligation imposed on women.
When I saw the first paintings of the young Baya (Mahieddine), the contemporary of Picasso, who painted women so naive, wild and free.
As a teenager, I also became interested in fashion. Faiza tries to translate through her portraits, the beauty and complexity of women in her paintings, where they symbolize the wardrobe wealth and enigmatic expression of their look. Here is a gallery of incredible images.
Faiza Maghni
Faiza Maghni is an Algerian artist known for her vibrant and intricate paintings that often explore themes of femininity and cultural identity.
I am also drawn to the symbolic meanings found in tribal jewelry and have reinvented this style in my paintings, such as the high-necked giraffe women of Burma, who are both a symbol of beauty and forced cruelty.
Painting has long been a more or less unconscious and totally obscured desire that has become natural in the future.
Now I realize that this was what at the last moment inspired me to paint. The compositions often include centralized figures set against ornamental backgrounds, with fine brushstrokes and intricate patterns enhancing the visual richness. All of this has left its mark, be it in architecture, music or lifestyle in general. In my work I try to convey a certain type of romanticism inspired by Arabic and Persian poetry, taking my inspiration from the costumes and hairstyles of the miniatures of the past that I find full of subtlety and moderation.
They began to take me seriously much later, when I started exhibiting my work.