Dutton peabody biography of michael
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I'll show you how easy it is.
Like some other westerns of its time, The Man Who Shot Liberty Valance explores the myths and mythologising of the West. We got a mare in foal, and horses to feed and water.
The duel between Stoddard and Valance is also a little contrived, with Donophin's presence nearby conveniently unnoticed. It would be more believable if a "front" candidate was proffered instead, with Valance standing behind him to deal out violence to those who vote the wrong way. He would much rather use the law against his enemies.
Quite apart from his attachment to his law books, Stoddard is often presented as domesticated, even feminised, in the film.
They tried to bushwhack me, *unfortunately* for for one of 'em.
- [Pompey has gone into the saloon after Tom]
- Barman: [indicating that he can't serve Pompey due to his being black] Now look, Pompey.
Tom Donophin teaching Stoddard to shoot
James Stewart's character, Ransom Stoddard, on the other hand, is a man of the East, at least spiritually. Technically the law exists but, as with the Marshal of Shinbone, it may not be very effective.It teamed him with James Stewart, an actor who had put aside his more genial image of the 1930s and '40s in a series of psychological westerns directed by Anthony Mann, beginning with Winchester '73 in 1950.
Neither star is at all stretched by the material they are given in The Man Who Shot Liberty Valance, but that is precisely why they have been cast.
Opinions differ on why the film was made in black and white, with some citing cost issues or technical or aesthetic questions. You forgot your pop-gun!
- Tom Doniphon: Pompey, go find Doc Willoughby. But seriously, under the spell of his eloquence I could see once again the vast herd of buffalo and savage redskin roaming our beautiful territory with no law to trample them except the law of survival, the law of the tomahawk and the bow and arrow.
Although he made other notable films, including the thriller The Informer (1935), Best Picture Oscar winner How Green Was My Valley (1941), World War II drama They Were Expendable (1945) and the comedy The Quiet Man (1952), it is with the western genre that he will always be associated. Films that deal with the "taming" of the West and the closing of the frontier tend to have a bittersweet character, an element captured particularly well in The Man Who Shot Liberty Valance.
Valence and his men crossed the river yesterday, killed a couple'a sodbusters. He loses his way and says that he can't remember the line, to which Stoddard replies that it's alright, a lot of people forget about that part.
As Tom Donophin, John Wayne is playing on his established persona as the screen's foremost and most archetypal western star.Now, Kaintuck and High Pockets, I deputize you to give a hand and drag this scum out of here!
- Kaintuck: Give me that b-b-b-bung st-st-starter!
- [grabs Reese and hauls him out]
- Link Appleyard: You tell those ranchers north of the Picketwire that hired you that me, Link Appleyard, run you out of town, and I'll do it again if you ever come back!
- Tom Doniphon: [to Ransom Stoddard] Hey, pilgrim!
We get it by placing our votes behind one man -- one man! Out here a man settles his own problems.
- Tom Doniphon: [In Peter Ericson's kitchen visiting Hallie, see 's Ransom Stoddard's shingle, reads] 'Ransom Stoddard, At... He's almost as fast as I am.
- [Stoddard punches Doniphon on the jaw, knocking him to the ground]
- Ransom Stoddard: I don't like tricks myself, so that makes us even!
- Tom Doniphon: [gets off the ground as Stoddard gets into his carriage] Hey pilgrim, you forgot your pop gun!
- Tom Doniphon: It ain't mannerly out west to let a fella drink by himself.
- Amos Carruthers: [in Ransom Stoddard's classroom after Tom Doniphon arrives, covered in trail dust, with news about Liberty Valence] You don't suppose they'll start anything down here, do ya?
- Tom Doniphon: It's already started.