Bob guccione jr folio keynote video
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So it was an indie world that we covered. And then, you know, I milked that and had fun with it. But it was a trailblazer.
And in a sense I viewed Spin’s competition with Rolling Stone as similar to Penthouse’s with Playboy. And ultimately Penthouse was the better magazine than Playboy and it succeeded.
She gets to write a piece that is essentially a free, multi-page advertisement in a large-circulation magazine for herself. Penthouse had bought a new building so they could accommodate all the office needs. I never liked photo retouching of covers. I still use what we call a pica ruler. It was bold. I also took a look at just to do a cover comparison.
And that was it. It is like having a collection. They had another cover with Clint Eastwood. And I didn’t write that copy. We are obliged to be honest with our audience. He is the former creative director at Fast Company (one of the most successful media launches in history), O, The Oprah Magazine, Nylon, and Inc.
And in 1965, when my father launched Penthouse in London, my mother left him. It was just boring. And then I could finish my layouts.
I’ll tell you a great story about the logo. I don’t mean that to be as disrespectful as it sounds. And so you cannot do much with the newsstand. And I just said, “That’s it. But we didn’t know.