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And of course,the upcoming book tentatively titled "The Devil and Dirk Vermin?!" (An unapologetic and not so modest history of growing up in and surviving Las Vegas with a completely biased social commentary loaded with subversive and agnostic ideology on the way to selling my soul to become a short-lived reality TV star).

I own PussyKat Tattoo Parlor in Fabulous Las Vegas (EST.

Our live show was based on our friends and our friends’ shitty bands we’d make fun of. This wasn’t my idea. So when we decided on a last show, Fremont Street was just the right fit. Hell, I’ve had a hand in booking most of the best shows they have ever had. I will always thank Moss and DD for giving those people a place to hone their craft.

What are some of the biggest changes you’ve seen? I guess the difference is people aren’t living in the moment anymore.

And I can’t say if it’s better or worse. He did the listing not me. My collection is in the thousands.

Why the comeback? Did you find that you had new fans coming out to the shows, or interactions with people outside your usual fanbase that surprised you?

The Vermin has always been a LAS VEGAS band.

I am the guitarist/singer in "Dirk Vermin & the Hostile Talent" (with a debut album coming in late 2016) and I am the former star of A&E's Bad Ink. (A television show that I do not support or endorse in anyway)