Anak ni baby ama biography meaning

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Her revelation forces him to confront a lineage he never imagined, tying his present to a notorious legacy that echoes through the streets. The manner in which the scenes were shot in the slum areas involved techniques that were previously employed in low budget indie filmmaking, making the sequences look very genuine and raw; the scene in which Anghel falls from a window into a card table below, has the undeniable influence of Peque Gallaga and Lore Reyes, specifically from their work in Scorpio Nights.

Aesthetically, the look of Fajardo's main antihero is inspired from an obscure early 80s film starring Bembol Roco called Boy Apache; even Roco's motorcycle stunts from this movie were replicated in Fajardo's film but were obviously altered to make them a bit different.

Because of this two, the biggest and bloodiest jail riot in Muntinlupa arised and led to them to be sentenced of death in electricution, Baby Ama was electricuted in 1961 at the age of 16 but "Ebok" is given a second chance.

KEVIN "BABY AMA" CALO - hes not the son of Marcial "Baby" Ama. He was named "Baby Ama" because he's life story inside the prison is more likely to Marcial Ama.

He is also became a leader in the prison where Marcial Ama's prison, and they both electricuted in the same reason. The event proved traumatic to the couple as his wife chose to commit suicide with their unborn child.

That's where all hell broke loose.

He became a "hit man" inside the cell, rapidly disposing his tormentors and eventualy becoming leader of his own prison mob. Known in the mainstream as a balladeer and composer of syrupy pop hits, he is not very well known for his work in providing music for action films; few would realize for example that he composed and arranged music for movies directed by Francis Jun Posadas and Willy Milan.

It appears that the film is Fajardo's dream project which is why you could see every frame and shot were taken with the utmost care and attention to detail. Young Guns 2 wasn't a faithful retelling of the historical Billy The Kid but a highly exaggerated and dramatized account of the exploits of the infamous juvenile bandit.

Still though, the above are just minor quibbles and the film makes up with its balls to the wall action in the final set piece.

To conclude, Anak Ni Baby Ama is a classic of Filipino gangster cinema; it's too bad that Fajardo never again completed a project of this scope and ambitious scale but was somehow content to just pump out disposable action romcom movies, not to mention the films following this, Noel Juico and Angelito San Miguel weren't as good or as engaging.