Adela legarreta rivas biography channel
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Donación del artista, 2002
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Hecho en México, Universidad Nacional Autónoma de México (UNAM), todos los derechos reservados 2009 - 2017.
En esta impactante imagen se hace patente la maestría del fotorreportero como relator de historias, así como su habilidad para iluminar y componer imágenes que se asemejan a escenas cinematográficas.
ENRIQUE METINIDES (1934
Primer plano de mujer rubia arrollada e impactada contra poste, Av.
Chapultepec y calle Monterrey, 29 de abril de 1979, 1979
Fotografía. Rivas had visited a beauty parlour where she had her hair and nails done in preparation for a press conference later that day.
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It almost looks like a glamor shot magazines like Face or advertisers like United Colors of Benetton often throws your way. Her blonde hair looked so soft, her manicured fingernails so red, her glistening bracelet and handbag so readily beside, the red cross aide so solicitous in bending over her that you can almost feel like it has been staged.
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Crime and Tragedy on the streets of Mexico City
At the age of 10, Enrique Metinides was given a brownie box camera by his father.
Metinides photographed his first dead body and published his first photograph when he was only twelve years old.
This colour print titled ‘Mexico City, April 29, 1979’, along with its certificate of authenticity, will be offered for sale by auction on Wednesday 1 November. Metinides, whose photos often looked like stills from pulp graphic novels and film noirs, is the most accomplished photographer for the Mexican version of tabloid press, the nota roja.
The woman was an actress named Adela Legarreta Rivas, but she was actually hit by a car and killed on Mexico City’s Avenida Chapultepec in 1979.
She was draped across a fallen pole, her arm hanging like a rag doll’s around it, the bridge of her perfect nose intersected by a single line of blood. He has won numerous awards and his work has been exhibited internationally, including The Museum of Modern Art in New York and The Photographers’ Gallery in London.
For more information please contact Shane Xu [email protected]
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It seems as if Edgar Allen Poe, he who elevated deaths of beautiful women into sublime art and said such death is “the most poetical topic in the world”, had taken this photo, but the man who captured this image was Enrique Metinides.On her way home she was hit and killed by a white Datsun on Avenida Chapultepec.
During his fifty year career as a photojournalist Metinides never once left Mexico. Taking to the streets of the San Cosme neighbourhood of Mexico City where he lived, he began following grisly crime scenes: car crashes, street stabbings, shootings, suicides and murders.
At the age of thirteen Metinides became an unpaid assistant to the crime photographer at La Prensa (The Press), joining him on shoots in fire trucks, Red Cross ambulances and police cars, and gaining the nickname El Niño (the boy) from the regular press photographers.
While today the authorities restrict access to such scenes, back then it was still possible for a photographer to approach the scene of an accident or crime.
He photographed his first dead body before he was 12, a feat that earned him a nickname El Niño – the Kid – for his precocity. The tragic scene captured by Metinides is that of Adela Legarreta Rivas, a Mexican journalist.