Suemay oram biography samples
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Following its premiere, the film will be available to stream on ESPN+. “Body Count” uncovers the emotional toll on detectives investigating one of America’s most unique cases. Amazing archive, powerful interviews by all of the major players at the time but most of all I loved the editing. We’ll talk through what exactly pivoting is, how it works, the psychology behind it and how we can use it to our benefit.
Every cut we make, every shot we make longer, every piece of body language we include or exclude has massive repercussions.
From 2017 - 2019 Suemay Produced and Directed an ambitious & unique 7-part series called ‘Killer Ratings (UK) ‘Bandidos Na TV (BRA) set in Brazil for Netflix Originals . Crafting the information and story content is one thing but knowing when and where to disclose that content to our audience is a delicate art.
Too much too soon and we overload the audience, too little and the narrative won't make sense and create that magnetic interest from the viewer.
The documentary exposes the shocking aftermath of their victory, where Ramón discovers that some of his teammates are not what they seem. These are just some of the editing questions we'll be discussing on this week's show.
We also have a fantastic free Creative Editing Masterclass for you which takes you through everything you need to know to build a rough cut.
She specialises in both observational and glossy high end productions and makes them accessible, thought provoking and entertaining.
In her latest endeavor, an ESPN "30 for 30" feature doc titled “Stolen Gold”, she tells the story of Paralympian athlete Ramón Torres, as he re-lives the most shocking Paralympic fraud case in history.
One of the fundamental laws of our art form is the create believable performances on screen otherwise the suspension of disbelief is broken and the audience switch off.
On this weeks episode of Once Upon a Timeline we talk through the psychology of this effect, it's impact on our work and what we can do it mitigate it.
There's a whole bunch of barriers standing in our way in terms of designing and navigating this path successfully.
Episode 7 of Once Upon a Timeline: The Editors Guide to Visual Grammar is now live!
We're kicking off our first podcast episode of the new year with a discussion around Full Disclosure and all its perils. Well, this skill is about identifying, planning and deliberately constructing the subtle visual elements that reinforce the overall arc of the story.
But on this week's show we're going to focus more on the creative residue that needs to be discarded when moving from one to the other.
There are common creative errors, what we at Inside The Edit call Promo-itus, that need to be surgically cut away in order to survive and thrive in the longer durational films.
Between them Amelia and Anna have worked on a ton of high-end shows like Pen 15, Watchmen and Sunny but they first worked together on the massive hit Westworld. The Series Director was Daniel Bogado.
In 2019, she directed on Nutopia’s “Vendetta: True, Lies and The Mafia” a high profile, 6 part series for Netflix. 'Stolen Gold' is more than just a sports documentary; it's a powerful exploration of truth, identity and resilience."
"Stolen Gold" is produced by UnTypical, A VICE Studios Group company.
As the scandal unravels, Ramón realizes that everything he believed in was a lie and is forced to confront not only the fraudulent conspiracy, but also a childhood scarred by bullying and trauma to find out who he really is.
ESPN Films' Latest 30 for 30 Documentary "Stolen Gold" Premieres September 17 at 9pm ET on ESPN and ESPN+
ESPN Films today announces the upcoming premiere of its latest 30 for 30 documentary, "Stolen Gold", airing Tuesday, September 17 at 9pm ET on ESPN.
Settle in for an inspiriting hour with these two amazing editors as they talk about their relentless passion for editing, their difficult journeys through the industry and what it’s like to cut a show together.
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In this week’s show I’ll be going deep into the art of piloting, our ability to immediately change direction after negative feedback about our work.