Soprano renata tebaldi biography template
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It was mostly ignored by the Met regulars. Mario Del Monaco was the Moor and Leonard Warren was Iago. She was a star.
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She was born in Pesaro on the 1st of February, 1922, and studied piano at the Conservatory of Parma and afterwards lyric with Maestro Campgalliani.
But artistically, the idea that they were opposites - Callas the galvanizing dramatic artist and Tebaldi the supreme vocalist who valued beauty of sound above all else - was wrongheaded. non credea mirartiPopularity: Opera: Sonnambula, LaComposer: BelliniAct: 2.12Type: ariaVoice: sopranoLanguage: ItalianRoles: Amina
She performed her debut and farewell role at the Met, Desdemona, 25 times. Here are five selections presented in the order of their composition. Placido Domingo made his Met debut in the opera in 1968 with Tebaldi in the title role and was still singing the tenor part more than 40 years later. She also could caress the notes which was one of the reasons she was so popular in New York.
Who takes care of the piccolini when you go around the world? This season Anna Netrebko is doing the star turn. There was some rivalry during yer early years at the house between her and Zinka Milanov.
Her father, Teobaldo Tebaldi, was a wounded soldier from the First World War when he met and married Giuseppina Barbieri, a gifted singer who had wanted a musical career but became a nurse. She came to prominence in the years following the second World War. Toscanini hired her to perform in the reopening of La Scala and her international career was launched.
She was also a bit on the lazy side never bothering to sing anything not in her native Italian. But if you have”the voice of an angel”, Toscanini’s famous quip, you can go a long way with Italian alone which after all is “La lingua degli angeli.”
There was a mostly made up rivalry between her and Maria Callas, Fake News in today’s parlance, that got a lot of attention from the press.
The line of fans stretched across Lincoln Center Plaza and up Broadway. A vocal crisis in 1963, compounded by exhaustion, compelled her to take a year off, during which she recuperated and reworked her technique. More than 20 years after she left the Met she returned to the house to sign autographs on copies of an authorized biography. Her laugh is closer to a cackle than a giggle and she does not take a high note at the end, but this is a fine rendition of Verdi’s number which has technical problems out of place with the demands of the rest of the part.
A few Verdi selections.
Yet for a 1995 biography, she openly discussed several romances: a youthful attachment with a handsome medical student to whom she was briefly engaged; a lighthearted relationship with Nicola Rossi-Lemeni, the renowned bass of Italian and Russian heritage; and, most significantly, an intense romance with the conductor Arturo Basile, a hardy and generous man who was in the last phase of a deteriorating marriage when he and Miss Tebaldi began their four-year relationship in 1958.
In a 1995 interview with The Times, Miss Tebaldi said she had no regrets about her single life.
"I was in love many times," she said, flashing her dimpled smile. Audiences could never get enough of her.