Schutz heinrich biography samples

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Italy, especially Venice, was a hub of innovation that paved the way for future European music.

Despite his Protestant upbringing, Schütz incorporated secular Renaissance elements, humanistic ideas, and personal emotions into his religious compositions. A century later, this music was to culminate in the work of J.S. Bach. He died from a stroke in 1672 at the age of 87.

He held his Dresden post until the end of his life (sowing the seeds of what is now the Sächsische Staatskapelle Dresden while there), but left Dresden itself on several occasions. Psalm SWV 493
and a German Magnificat SWV 4941672Schütz dies in Dresden on November 6 at the age of 87

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He may have studied with him—and in 1633, after the Thirty Years' War had disrupted life at the court, he took a post at Copenhagen.

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  • Smallman, Basil.

    Almost no secular music by Schütz has survived, save for a few domestic songs (arien) and no purely instrumental music at all (unless one counts the short instrumental movement entitled "sinfonia" that encloses the dialogue of Die sieben Worte).

    The style of the north German organ school derives largely from Schütz (as well as from Netherlander Jan Pieterszoon Sweelinck). As a child, he sang in the choir, and his musical talent was discovered by Landgrave Maurice of Hesse-Kassel. His compositions, characterized by their innovative integration of secular and religious elements, laid the foundation for the development of German music.

    Credit is due under the terms of this license that can reference both the New World Encyclopedia contributors and the selfless volunteer contributors of the Wikimedia Foundation. Additionally, the influence of the Franco-Flemish or Netherlandish School of the sixteenth century is also prominent in his work. He is often considered one of the most important composers of the seventeenth century with Claudio Monteverdi.

    Style

    Schütz's compositions show the influence of his teacher Gabrieli (displayed most notably with Schütz's use of resplendent Venetian polychoral style and concertato styles) and of Monteverdi.

    • Il primo libro de madrigali (first book of madrigals) (Venice, 1611)
    • Psalmen Davids (Book 1) (Dresden, 1619)
    • Historia der frölichen und siegreichen Aufferstehung ... (History of the Resurrection of Jesus) (Dresden, 1623)
    • Cantiones sacrae (Freiberg, 1625)
    • Psalmen Davids (Book 2) (Freiberg, 1628)
    • Symphoniae sacrae (Book 1) (Venice, 1629)
    • Musicalische Exequien (Dresden, 1636)
    • Kleine geistliche Konzerte (Book 1) (Leipzig, 1636)
    • Symphoniae sacrae (Book 2) (Dresden, 1647)
    • Geistliche Chor-Music (Dresden, 1648)
    • Symphoniae sacrae (Book 3) (Dresden, 1650)
    • Zwölff geistliche Gesänge (Dresden, 1657)
    • Psalmen Davids (revision of Book 2) (Dresden, 1661)

    References

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    • Schütz, Heinrich, and Gina Spagnoli.

      As a forerunner to Bach, he left an enduring mark on the history of music.

  • Heinrich Schütz (October 8, 1585 in Bad Köstritz; November 6, 1672 in Dresden) was a German composer and organist, generally regarded as the most important German composer before Johann Sebastian Bach and is often considered to be one of the most important composers of the seventeenth century along with Claudio Monteverdi.

    Thus it was no longer practical or even possible to put on the gigantic works in the Venetian school style which marked his earlier period. While visiting Schütz's parents' inn in Weißenfels, Maurice overheard the 13-year-old Schütz singing.

    Italian Influence and Reformation Music

    Schütz's time in Venice, one of Europe's prominent music centers, exposed him to new musical frontiers.

    Other works, such as a ballet based on "Orpheus and Eurydice" (1638), a five-act ballet "Paris and Helena" (1650), and numerous other musical entertainments, are known to have existed but are lost to history.

    Schütz established an esteemed school of musicians, including his cousin and pupil, the celebrated lieder composer Heinrich Albert.

    New York: Garland 1981.

    schutz heinrich biography samples

    Schütz was one of the last composers to write in a modal style.

    Biography

    1585Heinrich Schütz is born on October 8 in Köstritz, his name entered in the regional baptismal record on October 91586Andrea Gabrieli dies
    Johann Hermann Schein born1587Samuel Scheidt born1590Christoph Schütz takes over the inn "Zum goldenen Ring" in Weißenfels.