Sadegh hedayat biography sample

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1931 Sayeh-ye Mughul (Mongol Shadow)
1932 Seh qatreh khun (Three Drops of Blood)
1933 Sayeh Rushan (Chiaroscuro)
Alaviyeh Khanum (Madame `Alaviyeh)
Vagh Vagh Sahab (Mister Bow Wow)
1937 Buf-e Kur (The Blind Owl)
1942 Sag-e Velgard (The Stray Dog)
1944 Velengari (Tittle-tattle)
Ab-e Zendegi (The Elixir of Life)
1945 Haji Aqa (Mr.


Iraj Bashiri, The Fiction of Sadeq Hedayat, Mazda Publishers, 1984.

Hedayat subsequently devoted his whole life to studying Western literature and to learning and investigating Iranian history and folklore.

sadegh hedayat biography sample

Hedayat is an exponent of the modernist style in Iranian fiction and is considered one of the pioneers of modern Iranian fiction writing.

The number of works published about his works and life shows his deep influence on the Iranian intellectual movement. Hedayat's sister married Haj Ali Razmara who was an army general and among the prime ministers of Iran under Shah Mohammad Reza Pahlavi.Cite error: Closing missing for tag[1] Nadeem Akhtar's Hedayat in India[2] provides details of Hedayat's sojourn in India.

Excerpt from "Sadegh Hadayat: Dar Tare Ankaboot" (In the Spider's Web), by M. F. Farzaneh, 2005.

  • Hedayat's last night out in Paris Excerpt from M. F. Farzaneh's "Ashenayee ba Sadegh Hedayat" (Knowning Sadegh Hedayat), 2004.
  • References

    1. ↑Beard, Michael (2014-07-14) (in en). Hedayat's Blind Owl as a Western Novel. Princeton University Press. pp. 34. ISBN 978-1-4008-6132-3. https://books.google.com/books?id=Eh8ABAAAQBAJ&pg=PA34. 
    2. ↑electricpulp.com. "HEDAYAT, SADEQ v.

      Much of this was carried out by Hedayat in a universal style and tone. Page 25

    3. Works

      • Fiction
        • 1930 Buried Alive (Zende be gūr) A collection of 9 short stories.
        • 1931 Mongol Shadow (Sāye-ye Moqol)
        • 1932 Three Drops of Blood (Se qatre khūn). However, due to his lack of interest in his field of study and the attractiveness of France as the cradle of Western civilization, he emigrated to France.

          Its main theme is the influence of Western movies such as Der Golem, Nosferatu, and Dracula on Hedayat.

        • In 2009, Mohsen Shahrnazdar and Sam Kalantari made a documentary film about Sadegh Hedayat named From No. 37.

        See also

        • Intellectual movements in Iran
        • Persian literature
        • Persian philosophy

        Sources

        Further references

        • Homa Katouzian, Sadeq Hedayat: Life and legend of an Iranian writer, I.B.

          Tauris, 2000. The love of men must be sought in the vulgar compositions, in the obscene and crude expressions that they repeat in the realm of intoxication and sobriety.”

          “We are the children of death, and it is death that saves us from the deceptions of life.”

          “I thought to myself: if it’s true that every person has a star in the sky, mine must be distant, dim, and absurd.

          His career reached its peak in the late 1930s when he finished preparing his novella. (opening line)

        Pearl Cannon

        • It is true that the Arabs were too lowly to do such insolence, this sedition was started by Jewish spies and they created (Islam) with their own hands to overthrow the civilization of Iran and Rome and they achieved their goal, but like the staff of Moses that He turned into a dragon and Moses himself was afraid of him, this seventy-headed dragon is devouring the world

        Page 9

        • The Irish were actually Iranians who migrated to Western Europe, tried to change the word "Iran", removed "an" and replaced it with "eland" and became "Ireland".

          Sadegh Hedayat introduced an original yet innovative view in modern Persian story writing. “National literature does not mean much at present, affirms Goethe in his conversation with Eckermann on 31January 1827, it is time for an era of world literature, and everybody must endeavour to accelerate this epoch”. At the same time, he unveiled his literary talent with the publication of the wall newspaper “Call of the Dead.” His high school career at Dar al-Funun School was stopped due to an eye disease, and he was forced to leave the school.

          ISBN 0936347724
          Michael C. Hillmann, Hedayat’s “the Blind Owl” Forty Years After,Middle East Monograph No. 4, Univ of Texas Press, 1978. There he initially pursued dentistry before giving this up for engineering. Among other Iranian authors, Sadegh Hedayat had an eccentric perspective, as depicted in his novels, drawing the culture and traditions of society in his works.

          A collection of 11 short stories.

        • 1933 Chiaroscuro (Sāye-ye roushan) A collection of 7 short stories.
        • 1934 Mister Bow Wow (Vagh Vagh Sahāb)
        • 1936 Sampingé (in French)
        • 1936 Lunatique (in French)
        • 1936 The Blind Owl (Boof-e koor)
        • 1942 The Stray Dog (Sag-e velgard).

          Hedayat’s most enduring work is the short novel The Blind Owl (1937).

          Sadegh Hedayat’s body was buried in the Cimetière du Père-Lachaise – Cemetery of Paris.

          Cimetière du Père-Lachaise is one of the most famous cemeteries in Paris, which is the burial place for famous authors, artists, and many politicians.

          Final Word

          Sadegh Hedayat is one of the most influential and leading Iranian storytellers.