Sachal sarmast biography examples

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2009 .

  • Book: Study Of Mysticism In Darazi School Of Sufi Thought . Contemporary accounts from his disciples, such as Bedil, portrayed him as an "incarnation of Love" perpetually divinely intoxicated, with a radiant yet disheveled appearance during sama sessions of musical devotion. Motilal Wadhumal .

    Publications Division, Ministry of Information and Broadcasting, Govt. 2009 . Later people added Sarmast (Ecstatic Master) to his name in appreciation of his spiritual poetry. He is sometimes called Sachoo, The Truthful.

    Sachal Sarmast lived a humble, ascetic life, preferring solitude, simple meals of daal and yogurt. 2009 .

  • Book: Jotwani .

    For practical application, he recommended regular dhikr—the rhythmic remembrance of God—to cultivate spiritual awareness, alongside sama, or listening to devotional music, to induce states of rapture and transcendence.[20] He further advocated tolerance across religious sects, promoting interfaith harmony as a reflection of the underlying unity in all faiths.[19]In opposition to worldly pursuits, Sachal denounced materialism and the ego as veils obscuring divine truth, urging adherents to embrace simplicity, detachment, and inner purity as foundations for authentic spiritual life.

    Influences on His Thought

    Sachal Sarmast's philosophical development was profoundly shaped by the Sindhi Sufi poet Shah Abdul Latif Bhittai, whom he met as a young boy and whose Shah Jo Risalo became a formative text in his youth, inspiring his ecstatic poetic style and incorporation of local folklore such as the tales of Sassui-Punhun and Sohni-Mehar as allegories for divine union.[21] This influence is evident in Sachal's use of emotional, lyrical expressions of love and unity, adapting Bhittai's subtle mysticism into more overt declarations of spiritual ecstasy.[21]His foundational teachings were imparted by his uncle, Khwaja Abdul Haqq, who served as his guardian, spiritual preceptor, and father-in-law after the death of Sachal's father, blending Persian mystical traditions—drawn from classical Sufi texts—with indigenous Sindhi practices to foster a holistic approach to gnosis.[4] Abdul Haqq, revered by Sachal as "Haqq al-Haqq" (Truth of Truth), emphasized experiential spirituality over rigid orthodoxy.[22]In the broader Sufi lineage, Sachal drew heavily from Ibn Arabi's doctrine of wahdat al-wujud (Unity of Being), which underpinned his metaphysical views on the oneness of existence, as well as Rumi's emphasis on divine love as a path to transcendence, echoing themes of ecstatic union in his multilingual poetry.[22] He was also aligned with the Qadiri tariqah, tracing its origins to Shaikh Muhiyuddin Abdul Qadir Jilani, and admired the radical metaphysics of Mansur al-Hallaj, whose declaration "Ana al-Haqq" (I am the Truth) resonated in Sachal's rejection of dualism.[22]The local context of Sindh during the Kalhora and Talpur eras further molded his thought, incorporating Sindhi folk traditions and Bhakti elements of impersonal devotion akin to Guru Nanak's teachings, as a form of resistance against orthodox impositions and theocratic control that suppressed non-conformist expressions.[23] Sachal wove in regional narratives like those of Lila, Marui, and Moomal to symbolize the soul's quest, promoting tolerance and unity across Hindu and Muslim lines amid political instability.[23]Sachal's unique synthesis distinguished him from more textual-oriented Sufi schools by positioning music and poetry as direct conduits to gnosis, using sama' (spiritual listening), zikr (remembrance), and surs (musical modes) to induce trance-like states of divine realization, often accompanied by instruments like the sarangi and tabla rooted in rural Sindhi tunes.[22] This approach, blending Persian influences from poets like Attar and Hafiz with local folk elements, prioritized intuitive absorption over scholarly study.

    Literary and Musical Works

    Poetry: Languages, Forms, and Style

    Sachal Sarmast's poetic oeuvre is distinguished by its multilingual scope, with the majority of his compositions in Sindhi, his native language, supplemented by works in Siraiki, Persian, Urdu, Punjabi, Balochi, and Arabic.

    DAWN.COM . He did not marry again after this.[25]

    Sufi Thought

    The second Sufi master of the Faruqis of Daraza was Khwaja Mian Abdul Haq Farooqui who was the Murshid and Guide of Sachal Sarmast.[26] Sachal has said about his Murshid Khwaja Abdul Haq in his following lines:

    "If vou wish to be aware of the Devine Secrets, come with a sincere heart to Shah Daraza.

    Sachal Sarmast Explained

    Background:lightgreen
    Sachal Sarmast
    • Hazrat Faqir
    • Attar-e-Sindh
    • Mansur-i-Sani
    • Shair-i-Haft-Zuban
    Other Names:Sacho Sarmast, Shah Daraz, Ishq jo Otar, Sultan ul-Arifeen
    Order:Shah Darazi (Silsilah of Qadiriyyah)
    Religion:Islam[1][2]
    Denomination:Sunni[3][4]
    Philosophy:Sufism
    Initiator:Khwaja Abdul Haq Farooqui[5]
    Initiation:into Shah Darazi Tariqa (Kubrawi-Qadiri offshoot)
    Teacher:Khwaja Abdul Haq Farooqui[6]
    Lineage:Farooqui[7]
    Father:Khwaja Salahuddin Farooqui[8]
    Disciples:Fakir Nanik Yousuf, Muhammad Saleh Qadri, Muhammad Salah Jeho, Guhram Jatoi, Bedil[9]
    Disciple Of:Khwaja Abdul Haq Farooqui
    Pen Name:Sachal
    Birth Name:Abdul Wahab Farooqi
    Birth Date:CE
    Birth Place:Daraza, Kalhora Sindh (present-day Sindh, Pakistan)
    Death Place:Daraza, Talpur Sindh (present-day Sindh, Pakistan)
    Flourished:Talpur period
    Works:"Sachal jo Kalam, Diwan-i-Ashkar, Masnavi-Namas, Diwan-i-Khudai, Nukta-i-Tasawwuf"[10]

    Sachal Sarmast or Sacho Sarmast (sd|{{Naskh|سچو سرمست; – 1827), was an 18th and 19th century SindhiSufi poet, mystic and philosopher from Daraza (present-day Sindh, Pakistan), regarded as an important figure in the Sindhi-language literature.

    sachal sarmast biography examples

    2009 .

  • Book: سچل سرمست جي گهڙولي - حزب اللہ آءِ سومرو سنڌسلامت ڪتاب گهر . 978-81-230-0508-9 .
  • Book: Study Of Mysticism In Darazi School Of Sufi Thought . en. Symbolism drawn from the Sindhi landscape—rivers representing the flow of divine mercy, deserts evoking the soul's arid longing, and music as a conduit for enlightenment—guides the reader's understanding of the human soul's journey toward truth.

    This lineage reflects a Sunni framework rooted in Umar ibn al-Khattab's familial descent for its custodians, blended with Qadiri mystical transmission.[14]Sachal Sarmast's connection to the tariqa came directly through his uncle, Khwaja Abdul Haq Farooqi, who served as his spiritual preceptor and initiated him into its practices, thereby merging the order's ecstatic traditions with local Sindhi Sufi expressions such as devotional poetry and music.[14] This path emphasized direct divine inspiration in the Awaisi tradition, allowing Sachal to embody the tariqa's core of unmediated union with the divine while renouncing formal religious hierarchies.[14]

    Personal Life

    Appearance and Attire

    Sachal Sarmast was described as having a middle stature, with long hair, a shining forehead, deer-like big melancholy eyes, and an attractive nose.

    Although limited, this is still one of the better pages I've found on the Internet.

    Gulraj
    http://yangtze.cs.uiuc.edu/~jamali/sindh/sufis/index.html
    An online book exploring Sindh culture and mysticism, including Sachal Sarmast.

    Sachal Sarmast
    http://sachalsarmast.org
    A Sufi website dedicated to Sachal Sarmast and his spiritual succesors.

    سنڌ سلامت ڪتاب گهر . سنڌ سلامت ڪتاب گهر .