Reesa greenberg biography of barack

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At the NAC, she was a financial contributor to Life Reflected and is responsible for initiating and funding Rebecca Belmore’s Dawn for the lobby of the expanded National Art Centre. Montréal, 20-21.

1986 "MOMA and Modernism: The Frame Game," Parachute, #42, March, April, May, 21-31.

Mark Cheetham, Elizabeth Legge, Catherine M. Soussloff, Toronto: University of Toronto Press, 153-164

2007 "The Currency of Time: Muntadas and I Giardini," Ciel Variable, No. 77, Winter, 10-12.

2007 "La représentation muséale des génocides: Guérison ou traumatisme réactualisé?," Gradhiva, No.

5, 77 - 83.

2006 Aesthetics of Trauma: five installations of Charlotte Salomons "Life as Theatre" in Reading Charlotte Salomon, Michael P. Steinberg and Monica Bohm-Duchen Editors, Cornell University Press, Ithaca and London, 148 - 166.

2006 "Closets and Collectors" Reesa Greenberg, De Witte Raaf, 121 May.

2005 "Redressing history: Partners and the Friedrich Christian Flick Collection," Reesa Greenberg for Kritische Berichte, October

2005 "Identity Exhibitions: From Magiciens de la terre to Documenta 11." Art Journal.

Reprinted in Trois, vol. She served as a member of the Board of Governors of Concordia University and on the Executive Committee of the National Gallery of Canada Foundation. She has translated these interests into a variety of contributions within the academic and museum communities. Vol.64, No.1.

She is currently an Adjunct Professor at York University in Toronto, Ontario (Canada) and Concordia University in Montreal, Quebec (Canada). She is a member of the Research Committee of the CiÉCO project, New Uses of Museum Collections, a pioneering collaboration combining theory (academics) and practice (museums) to produce new knowledge.

Robin Ostow, Toronto: University of Toronto Press, 183 - 199.
2008 "Editing the gle.ca/books?idCtd8MgGWpIoC&pgPA105&lpgPA105&dqReading+Charlotte+Solomon&sourceweb&ots7q4EnViiT_&sigC3cWNmqJACPl3IeuYXOMo0G7zXg&hlen]

Reesa Greenberg

Art historian

Reesa Greenberg is a Canadian art historian who writes and teaches about exhibition histories, museums, and the internet.

(exhibition review)

She has been Associate Professor of Art History at Concordia University, Montreal; Adjunct Professor of Art History at Carleton University Ottawa and at York University, Toronto; and Visiting Professor at The California College of the Arts, San Francisco and Moscow State University for the Humanities.

2008 Constructing the Canadian War Museum/Constructing the Landscape of a Canadian Identity (Re) Visualizing National History: Museums and National Identities in Europe in the New Millennium, ed.

90-94.

(Reprinted in VIS Volume 5 Number 1 Jan-June 2006, p. 2-3, Hiver-Printemps, 69-83.

1992 "Dedans/Dehors: les femmes, les musées et la fausse publicité," Musée, vol.14, no.1, Mars, 22-27.

1988 "Inside/Outside: Remapping Art History" in Critical Paths, Renée Baert, ed.

59 - 63, English and Portuguese abstracts)

2004 "From Wall to Web: Displaying Art Stolen from Jews by Hitler" in Obsession, Compulsion, Collection: On Objects, Display Culture, and Interpretation, Anthony Kiendl, ed., Banff Centre Press, 92-109.

2003 "The Jewish Museum, Vienna: A Holographic Paradigm for History and the Holocaust" in Image and Rememberance: Representation and the Holocaust, Shelley Hornstein and Florence Jacobowitz, eds.

Her focus is on the staging of exhibitions, especially their effects on the meaning of artworks and viewer responses. She taught and mentored generations of curators and researchers through her teaching at Concordia University, Carleton University, the California College of the Arts and Moscow State University. Greenberg’s essays and reviews have been published in Canadian Art, Parachute, RACAR, Intermédialités, Tate Papers, Gradiva, Kritische Berichte, Ethnologies, Jong Holland, De Witte Raaf, Novye Gazetta, and The Journal for Curatorial Studies as well as numerous anthologies.

Last updated: November 25, 2024

Reesa Greenberg works primarily with the visual arts as one of the founders of the new field of exhibition studies. 7, nos. Greenberg has consulted on exhibitions and installations for the Art Gallery of Alberta, Edmonton, the Jewish Historical Museum, Amsterdam, and the exhibition Mirroring Evil at the Jewish Museum, New York.

Spring 2005.