Rainer trost tenor biography examples
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Matthew Passion (BWV 244)); WDR Sinfonieorchester Köln (Die Schöpfung). In 2001-2002 and beyond, Trost's plans include further performances of Falstaff, Cosi fan tute, Vom Pagen und der Königstochter andFidelio with the Bavarian State Opera (the latter being on tour in Japan with the company) Katja Kabanowa in Brussels and Barcelona, Don Giovanni at Covent Garden and Barcelona, Die Entführung aus dem Serail in Florence, Die Zauberflöte, Cosi fan tutte, Don Giovanni and Falstaff at the Vienna State Opera and the revival of Cosi fan tutte, L.v.
Bach's Christmas Oratorio(BWV 248)); Royal Concertgebouw Orchestra (St. In 2001-2002 and beyond, Trost's plans include further performances of Falstaff, Cosi fan tute, Vom Pagen und der Königstochter and Fidelio with the Bavarian State Opera (the latter being on tour in Japan with the company) Katja Kabanowa in Brussels and Barcelona, Don Giovanni at Covent Garden and Barcelona, Die Entführung aus dem Serail in Florence, Die Zauberflöte, Cosi fan tutte, Don Giovanni and Falstaff at the Vienna State Opera and the revival of Cosi fan tutte, L.v.
Beethoven's Choral Fantasy and Fidelio (including a recording for EMI) at the Salzburg Festival.
The German tenor, Rainer Trost, was a member of the Stuttgarter Hymnus-Chorknaben for ten years. In the summer of 1998 Trost sang the role of Kudrjasch in a new production of Katja Kabanowa at the Salzburg Festival.
Highlights of his activity as a concert singer were engagements with the Concertgebouw Orchestra, in the Musikhalle Hamburg, Tonhalle Zurich, Tonhalle Düsseldorf, in the Musikverein Vienna, Gasteig Munich, Prinzregententheater Munich and Gulbenkian Lisbon. In the 1993-1994 season, Rainer Trost sang Tamino in the Geneva production of Die Zauberflöte.
Beethoven IX in Berlin and Vienna, Britten's Serenade for Tenor, Horn and String for the Hamburger Ballet, Capriccio in la Cagliari, La Clemenzo di Titto for the Semper Oper, Lobgesang with the Berlin Philharmonic, Cosi fan tutte in Barcelona and Don Giovannifor the Metropolitan Opera.To date, Rainer Trost has also sung from his current Mozart repertoire (Tamino, Ferrando, Belmonte, Don Ottavio, Idamantes, Tito) in: Covent Garden, The MET, Operá Bastille, Operá Garnier, Semperoper Dresden, Het Muziekteater Amsterdam, Deutsche Oper Berlin and the maggio musicale in Florenz.Rainer Trost's future engagements include not only Mozart in Vienna and Munich; but also Alfonso in Schubert's Alfonso and Estrella in Cagliari; Fenton in Munich and in a new production at the Vienna Stateopera.
He enjoyed success as Pylade in Gluck's Iphigénie en Tauride at the Theater an der Wien in October 2014. Between 1991 and 1995, Rainer Trost was a member of the Niedersächsische Staatstheater in Hannover.
At the beginning of 1992, when he was only 26, Rainer Trost burst onto the international stage, singing performances of Ferrando in the new production of Cosi fan Tutte at the Hamburg State Opera.
He has appeared in Hamburg, Lisbon, Amsterdam, Ludwigsburg, Paris, Vienna, Geneva, Berlin, Brussels, Cologne, Barcelona, the Metropolitan Opera, at the Salzburg Festival and the Edinburgh Festival, at the Maggio Musicale in Florence and at the Royal Opera House Covent Garden in London. From 1987 to 1991 he studied at the "Hochschule für Musik" in Munich, with Prof. Adalbert Kraus.
At the beginning of the 1995-1996 season, he sang Tamino, in a new production of Die Zauberflöte by Andreas Homoki at the Cologne Opera and he made his début at the Opera National in Paris in the role of Ferrando in Cosi fan tutte at the Paris Opera National de Paris. In July 1993, he sang the role of Don Ottavio at the Semper Oper in Dresden, in a new production of Don Giovanni by Willy Decker.
In the 1999-2000 season, performances include Zauberflöte and Fidelio in Munich, Cosi fan tutte at the Salzburg Festival (with Claudio Abbado) and at the Grand Théâtre in Geneva, Katja Kabanowafor the Netherlands Opera and concert performances of Die schöne Müllerin for the Gesellschaft der Musikfreunde in Vienna and Mozart's Mass in C-Minor at the Salzburg Easter Festival.So far, plans for 2000-2001 include performances of Don Giovanni, Zauberflöte, Cosi fan tutte, Fidelio and a new production of Falstaff in Munich, Entführung and Zauberflöte at the Vienna State Opera, the revival of Cosi fan tutte in Salzburg, a new production of Henze's Boulevard Solitude at the Royal Opera House Covent Garden, Die Zauberflöte in La Coruna, and concert performances of Tristan und Isolde with the company of the Salzburg Easter Festival on a guest visit to Japan and L.v.
Beethoven's Missa Solemnis with the Tonhalle Orchestra of Zürich, a Schumann concert with the Bayrische Rundfunk. Another important miletone during the 1992-1993 season for Trost was his highly-successful debut, as Don Ottavio, at the Vienna State Opera. Matthew Passion (BWV 244)); WDR Sinfonieorchester Köln (Die Schöpfung).
Concert appearances have taken the singer to concert halls in Hamburg, Düsseldorf, Zurich and Lisbon, as well as to the Musikverein in Vienna. Immediately after his Hamburg début, he took part in a three month tour with the Monteverdi Choir & Orchestra (John Eliot Gardiner) in Lisbon, Amsterdam, Ludwigsburg, Ferrara and Paris, in further performances of Cosi fan Tutte.
During the 1997-1998 season, Rainer Trosts' engagements included performances of Die Zauberflöte, Don Giovanni and Entführung at the Vienna State Opera, Don Giovanni and Zauberflöte at the Hamburg State Opera, Cosi fan tutte in London and Munich and the world premiere of Mannfred Trojahn's Was ihr wollt at the Munich State Opera.
In the same season, he also sang guest performances in Dresden and Munich and, in the 1994-1995 season, performed the roles of Tamino and Ferrando at the Hamburg State Opera. During the 1997-1998 season, Rainer Trosts' engagements included performances of Die Zauberflöte, Don Giovanni and Entführung at the Vienna State Opera, Don Giovanni and Zauberflöte at the Hamburg State Opera, Cosi fan tutte in London and Munich and the world premiere of Mannfred Trojahn's Was ihr wollt at the Munich State Opera.