Margaret o rorke biography samples
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You can sense the source of her inspiration, but you can also fly away with your own imagination.
Margaret is a very open person. The porcelain is unglazed in order to preserve the traces of the making process. With her ceramics, she brings life to the light, and as a person she brings light to life.
After she finished with her professional education in 1959, Margaret didn’t have the possibility to work professionally as a potter.
It is its special quality of stilled movement and energy that marks it out.
In 1992 she spent three formative months working in Ryoji Koie’s studio in Japan. First training as a painter at the Chelsea School of Art she then took up pottery at Camberwell. She is a very un-English artist, her delicate and organic pieces owe more to avant-garde Japanese forms and northern European experimental ceramics and sculpture (one thinks of a range of Dutch work).
I was lucky to meet and work with Margaret for five month in her studio in Oxford. The function and the esthetics are combined in this case, because the light is an integrated part of the artistic sculpture. Her pieces are represented in galleries and private collections and public spaces. Together with her son she is now founding a new lighting company with her creating ideas for manufactured translucent porcelain lighting that will be more affordable.
With her art and life attitude Margaret inspires courage and she is a great inspiration for me.
MARGARET O’RORKE
MARGARET O’RORKE (1938–) has done much to stretch, literally and metaphorically, the structure of translucent porcelain in the last thirty years, treating it as an essentially sculptural medium that can lyrically convey and channel the light, both natural and artificial.
It was a time with a lot of learning and I got insight into her way of working with material and form. Most of the times we can clearly distinguish between functional and non-functional ceramics; artistic sculptures are considered to be non-functional objects, with no other role but the esthetic one. Using the hand-thrown porcelain technique, she managed to create lightning objects that give a rich, non-mechanical illumination.
Her works look so modern and amazing, focused on creating a shape for the light. Her fulltime career started later in life, working with translucent porcelain. But her art is not conceptual, but a very sensual and expressive enhancing of architectural space, her use of material is as crisp, complex and fluid as many forms in nature, but with a restraint and purity that is also very modern.
She treats the material with respect for its intrinsic beauty and creates amazing, sensitive masterpieces. The true wizardry comes, when she magically conjured a meal out of almost nothing during my stay of study.
However, at the age of 40 she returned to her dream to make ceramics. She lives and works in Oxford.
www.castlight.co.uk
David Whiting
Your Interview Kelly Roberts
Lives in:
New York City, United States
Born in:
Connecticut, United States
Qualifications:
BFA in Theatrical Design, Lighting + Scenic from the University of Connecticut; LEED BD+C Professional
Started working with light in:
2006
Offices worked at:
WALD Studio
Now works at:
WALD Studio
Professional membership:
IES, DLFNY, WILD
Loves:
Volunteering with Women in Lighting + Design, and a good book on a rainy afternoon.
Selected portfolio:
Woven light porcelain
source: galeriebessoncouk
Margaret O’Rorke lives and works in Oxford.
Instead she ran a catering business together with her husband. Any space that is lighted with these objects becomes somehow warmer and classier. Installations, including chandeliers, wall pieces and fountains, all involve complex engineering, both electrical and mechanical.
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source: inspiration-of-the-nation
Margaret O’Rorke is a ceramic artist from UK that creates lightning objects from transparent porcelain.
She is curious, observant and interested in people, science, nature, and, of course, life. She travels around the world with exhibitions, talks and workshops.