Jud yalkut biography template
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Co-curator Computer Art: An Ohio Perspective, Dayton Visual Art Center, 1993.
Curator Art from Virtual Realities, Dayton Visual Arts Center, 1997.
Achievements
Jud Yalkut has been listed as a noteworthy Producer, director by Marquis Who's Who.
Membership
Consultant Associated Arts Council, New York City, 1974.
He also taught film-making courses at New York University, School of Visual Arts, and the Millennium Film Workshop.[1]
Dayton
In 1973, Yalkut left New York and started a film and video program at Wright State University, Dayton, Ohio.[1]
He was one of the founders of Dayton Visual Arts Center.[1] He taught at Sinclair Community College in Dayton and at Xavier University in Cincinnati.[2]
Notable exhibitions
- Dream Reels: VideoFilms and Environments by Jud Yalkut, Whitney Museum of American Art, New York, 2000.[1]
- Jud Yalkut: Visions and Sur-Realities, University of Dayton, Spring 2013 – a career retrospective.[1]
Awards and commendations
In 1968 Kusama’s Self Obliteration, Yalkut's 1967 collaborative film with Yayoi Kusama, won the Fourth International Experimental Film Competition in Belgium.[8]
Yalkut received six Individual Artist Fellowships and three Artist's Project Grants from the Ohio Arts Council.
In these seminal works, which include Videotape Study No. 3, Beatles Electroniques and Cinema Metaphysique, Yalkut and Paik create extraordinary conversations between the medium of film and the electronic manipulations of video. www.trishabrowncompany.org. lightcone.org. M. T. 1966. Director Creative Film Workshop, University Cincinnati, 1968.
Juror Film As Art American Film Festival, New York City, 1974.
2016-02-01.
Chairman Miami Valley Cooperative Gallery, since 1989.
Education
Student, City College of New York, 1953-1954; student, McGill University, Montreal, Quebec, Canada, 1954-1956.
Career
Filmmaker USCO Maverick Systems, Garnerville, New York, 1965-1969. Executive director Contemporary Media Study Center, Dayton, 1976-1981. He also organized exhibitions of video and experimental media art, such as "Computer Art: An Ohio Perspective" at the Dayton Visual Arts Center in 1993 and "Art From Virtual Realities" at DVAC in 1996.
He has written consistently on the arts since 1966 for such publications as ARTS Magazine, The East Village Other, The New York Free Press, Bijitsu Techo art monthly in Japan, nineteen years for Ohio’s “Dialogue” Magazine, and he has been Visual Arts writer for Dayton’s Impact Weekly for over six years.
Jud Yalkut’s collage graphic works have been exhibited at such venues as: “Computer Genesis”
Jud Yalkut
directorproducer
Jud Yalkut, American producer, director.
Son of Benjamin and Mollie Emma (Rowe) Yalkut. Michel. dead.