Ione rucquoi biography sample
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They provide the perfect media with which to explore the tension between the beautiful and the grotesque, themes of love and kinship, loss and resilience.
Some blood is donated by friends, family and strangers, and is drawn from the vein. Work selected, toured, Alexandra Palace, London. The other photographic pieces in the show are from ‘In Utero’ and ‘Post birth’ work.
2014
‘Sanctae’ at The Royal West of England Academy, Bristol.
Large scale photographic installation.
2011
‘Sacrifice’ the Bowie Gallery, Totnes, Devon.
2010
European Month of Photography, The White Square Gallery, Berlin.
Scope art fair, Basel.
2007
The Exeter Phoenix, Devon.
Group Shows
2017
‘Nature’s Alchemy’ bo.lee gallery, Peckham, London.
2016
‘The other side’ Chelsea Arts Club, London.
‘Petrichor’ bo.lee gallery in collaboration with 19 Greek Street Soho, London.
An experiential art and design exhibition curated over five floors including works by Ambrosina Allen, Tessa Farmer, Patrick Haines, Rebecca Stevenson and Zatorski + Zatorski among others.
2015
‘Project Afterbirth’ The White Moose Gallery, Barnstaple.
2013
‘Fertile Body’ is a collaborative arts project between the Perigord region of South West France and South – SW Wales, organised jointly by the Mothersuckers project (Wales) and ARTicle 19 association (France).The exhibition aims to explore ideas surrounding fertility and the female body by partnering contemporary artists’ work in direct relation to arte-facts or objects, held within the collections of the Perigordian Museum, and selected Museums of Wales.
2012
‘The Open West’ 2012, Gloucester Cathedral.
‘Inhabitants’, Greenhill Arts, Moretonhampstead, Devon.
November 24th.
2014
‘The most important exhibition you may never see‘ review by Mila Oshin for Lion Arts Projects.
2012
Interview with Blife Magazine, Barcelona.
2011
Interview with FAINT magazine, Australia.
Work featured in NOOVO4 Magazine.
2010
Featured in The Sunday Times Magazine.
Collaboration with BLUR magazine and Impracabeza Magazine.
Bristol Magazine – Front cover.
2009
China Contemporary – Moments of Macabre.
Art in England – Feature.
2007
Featured in First Post – Foul Play
Aesthetica Magazine – article by Alexis Somerville.
Featured in The Sunday Times Magazine.
The Big Issue – The Beast within by Sarah Jane Downing
The British Journal of Photography
Muse Magazine – Birds, Fishwives and Bunnygirls.
Evolver Magazine.
BBC Radio Devon – interview with Jo Loosemore.
Birds, Fishwives and Bunnygirls – catalogue with essay by Sarah Braddock Clark
Ione Rucquoi grew up on an old torpedo boat on Hayling Island, Hampshire with
her grandfather, who was Head of Sculpture at St Martin‘s School of Art.
Influenced by her creative background, at one point it was unclear whether she would pursue art or music. For more information on Ione’s work, please see: www.ionerucquoi.com.
Alexis Somerville
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With her ability to shock and repulse the viewer, she has experienced some strong negative responses to her work.“I was fairly surprised by people’s reactions. Ione finds the hardest part of being an artist to be working on her own — keeping buoyant and positive, but she enjoys every part of the image —making process. Ione‘s photographs attract and repulse the viewer, making use of prosthetics, costume, make-up and theatrical backgrounds to create surreal situations and characters.
Ione researches her images thoroughly, finding appropriate objects from the local Devon countryside including birds’ eggs, feathers and limbs.
What if it were sanctified not reviled?
These are labour-intensive pieces that reflect and celebrate the literal and metaphoric vitality of the materials from which they’re made. Article by Bernadette McNulty https://inews.co.uk/?s=ione+rucquoi Dec7th.
The Jo Good show – live interview with Jo Good: Len Goodman, Simon Lycett and Ione Rucquoi.
I love dressing up and the metamorphosis of it all but I prefer to be in control of the final image.”
Ione is currently putting together a proposal for the Arts Council, which is another large photo project. It embodies and encapsulates both the humdrum ordinariness of life, and its sheer, breathtaking miraculousness.
“I use them as a tiny bit of narrative but I don’t want to lead people too much.” She also uses language in terms of material and often looks up the dictionary definition of an object she is using in order to take the word apart. RDS Dublin.
2000
Mother and daughter show ‘The Ladies Room’, The Time Gallery, London.
From 2002 – 2006
Worked on heat transfer business, hand-painted, hand-printed fabrics for fashion and interiors, with clients including Jean Muir and Alan Lee.
Publications and press
2017
The radio 2 Arts show – interview with Jonathan Ross: Human Blood Art, David Baddiel and The Grinning Man.
December 14th.
i newspaper: Blood and guts, the artist finding beauty in life and death. For blood cannot help but take us from the particular – the person from which it came – to the universal.
Born – Oxford, 1975
1994 – 1998 – Goldsmiths University of London
Solo Shows
2016
A selection of Old and New works at the Chelsea Arts Club, London.
Running from the end of June through July.
This exhibition is made up of a selection of works from the past 6 years.
I know the images are deemed controversial, but I never set out to be sensationalist.” However, she feels that as long as she is causing emotive responses and debate among viewers, she is achieving her aims as an artist.
Ione’s images are very personal on a subconscious level and many are influenced by her experiences as a woman in society.
It’s made with mine and my mother’s blood, and with blood from my daughter’s placenta. “I have a very fixed idea of what I want a photograph to look like but there is an element of spontaneity.
The absence of my sister, who died in a tragic accident, is signified by a gaping hole.
But all of these pieces are secular reliquaries, mandalas of the ordinary.