Hermann nitsch biography sample

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i have tried to translate the possibilities of my own theatre concept to the staging of works by other composers. in the same year an action was performed in santa lucia church in bologna. morra and the neapolitans were excited and impressed. the language was crammed with sensory images. the poured and smeared paint, the colours spanning the whole spectrum of the rainbow, competed with the blazing coloration of wagner’s music in a positive sense.

in 1966 brus, muehl, krenn, weibl and myself were invited by gustav metzger to london to take part in the ‘destruction in art’ festival. Currently residing and working in Vienna. theatre actually took place on canvas. the tragic of demise and the renewal ever developing out of it will be appreciated as the turning point in the cycle of the eternal recurrence.

the dionysian excess corresponds to the mentioned facts.

the aim to produce a total work of art, beginning with greek tragedy and moving on to claudio monteverdi, richard wagner, richard strauss, claude debussy, alexander scriabin, wassily kandinsky and arnold schoenberg, fascinated me.

the score, for both the actions and music, was precisely composed for all 6 days. in 2007 the nitsch museum was opened in mistelbach. his most tremendous achievement was a nitsch monography, almost 1000 pages in total. besides the opponents of my work there were also many who appreciated it and were very enthusiastic.

we were wrongly targeted by hostile animal rights activists. in 1975, with beate’s help, the first day and the first night of the 6-day play were held in prinzendorf. besides the dramatic understanding of the event that is being through the o.m. taking place again and again, resurrection and enlightening epiphany determines all being. my job will to be create a festival celebrating life.