Frederic clay bartlett biography examples
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Never married and just shy of her thirty-sixth birthday, Helen was a Chicago socialite, a published poet and composer, and very close to her first cousin, Mrs. Marshall Field.
I’d like to take a moment here to thank Clark Wagner for his tireless work in editing my two papers on the Armory show that our Literary Club was so gracious to publish.
Bartlett had, by this time, made such a name for himself that one newspaper commented, “Among the artists he stands at the head… Socially he is in such demand that it is a wonder there is time left for his work.”[10] Demands on his time for lectures and visits from admirers were so great, that he left for Bavaria, to work for about six months.
He completed a portrait for his father’s friend, Marshall Field,[6] an altar decoration for the Trinity Episcopal Church in Highland Park, lectured on mural painting at the Art Institute and the Chicago Architectural Club, exhibited at the Art Institute in four different group shows, became president of the Chicago Society of the Archaeological Institute of America, exhibited at the Carnegie Institute, and the Society of Western Artists, and over the summer, traveled to Europe.
The Chicago Woman’s club commissioned him for a monumental series of murals at McKinley High School, for which he was paid, in today’s value, $30,000.
The show opened at the museum in Rochester, New York, then traveled to the Toledo, Cincinnati, Cleveland and Detroit museums with a final stop at the Art Institute. In the fall of 1896 he moved to Paris to continue his art studies. Bartlett later credited the great artist with encouraging him in mural painting, something he would pursue successfully throughout his career.
He has preserved his own individuality, however….”
It was the same in 1906, busy, busy, busy. Frederic later wrote:
“Tired we were, for as was our custom, we had walked past miles and miles of pictures, a never-ending wild excitement for us. Mrs. Garland joins me in this expression of admiration and pleasure.”
As University Club lore would have it, the directors had asked Tiffany to prepare sketches for the windows of the new Gothic-style building.[7] Bartlett was also asked to submit sketches, but only as an afterthought.
She was the daughter of a prominent White Plains, New York doctor. He died on June 25, 1953, and was buried beside his first two wives in the family plot at Chicago’s Graceland Cemetery. He visited the Palace of Fine Arts countless times with his close friend and future art patron, Robert Allerton. Friends of Historic Second Church, a non-profit preservation-based organization founded in 2006, has overseen the restoration of several Bartlett murals in this National Historic Landmark interior.
The largest mural, completed in 1903 and known as the “Tree of Life” was completely restored in late 2022 in a project funded partly by a Save America’s Treasures grant, which covered just over half of the $500,000 cost.
During his tenure, it became one of the largest hardware wholesalers in the world.
A.C. Bartlett’s original color scheme can be seen in the right and bottom portions of the image above, which shows a partially restored arch mural. Bartlett painted twelve murals to fill the recesses along the sides of the church that were described as, “the crowning feature of the interior.” He also designed the candelabrum, in partnership with Van Doren Shaw.
Chief among these was that the collection of twenty-four artworks would always be hung as a unit. Today, the Bonnet House, filled with his paintings and murals, is a museum. For the second-floor dining room known as the “Michigan Room,” Bartlett executed 56 large ceiling panels depicting the phases of a Gothic chase and feast.
Bartlett also submitted plans for the enormous windows on the 10th floor of Cathedral Hall, with intricate designs designating universities around the world and various disciplines.
They brought in all sorts of animals including monkeys, to create their own menagerie.