Ezio pinza biography template
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Being an Italian by nationality, Pinza was closest to the Italian operatic repertoire, but the artist also performed a lot in operas by Russian, German and French composers.
The FBI suspected that, because of his Italian background, he might have ties to fascist sympathizers, a label what was not uncommon for Italian expatriates during the war. In 1919, the Directorate of the Roma Opera accepted the vocalist as a member of the theater troupe. Pinza finished writing his memoirs shortly before his death, and they were published in 1958 by Rinehart & Company.
Ref.: When we think of musical legends, some names are simply unforgettable. As a man who spent most of his life in the U.S., contributing to its cultural scene through opera and theater, this accusation was both unjust and harmful. In his later years, Pinza struggled with health issues, including heart problems. The later did not even realized that he once rejected the young singer who came to him. He was later invited to perform at the legendary La Scala in Milan, where he made his debut in February 1922. He also performed Mussorgsky's "Boris Godunov" in Italian. In addition to his performances at the Metropolitan Opera (MET), Pinza regularly appeared at Covent Garden from 1930 to 1939 and participated in the Salzburg Festival from 1934 to 1937 under the renowned German conductor Bruno Walter. But as many great stories go, fate had other plans. Despite this, he remained committed to his craft and tried to maintain his connection with this audience, often performing in smaller venues or taking on roles that did not require as much vocal strain. He grew up in the richly traditional city of Ravenna on the eastern coast of Italy. Moreover, although Pinza played mostly minor roles, he demonstrated his extraordinary talent in them. In the 1950s, he ventured into film and television, making appearances in movies like Mr. Imperium (1951) and Tonight We Sing (1953). A year later, in November, Pinza made his debut in “La Vestale” by Spontini at the Metropolitan Opera. For more than twenty years, Pinza remained a permanent soloist of the theater and the troupe adornment. The artist knew how to endow them with living human characters and therefore inevitably attracted close attention of the audience to his heroes, showing amazing examples of the art of reincarnation. It was said that due to a lack of formal musical education, Pinza couldn't read sheet music. He made his debut in New York in November 1926 in "La Vestale". State Music Publishing House (MUZGIZ). His true breakthrough came when he made his debut at the Metropolitan Opera in New York in 1926.
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Outstanding Italian Singers / Timokhin Vsevolod Vassilievitch. Ezio Pinza: From Opera Legend to Broadway Star
International Success
He passed away on September 9th, 1957, at the age of 65. The conductor liked the way Pinza performed the part of Veit Pogner. Later, Pinza becoming a soloist at The La Scala Theater sang in “Lucia di Lammermoor”, “Aida”, “Tristan and Iseult”, “Boris Godunov” (Pimen) and other operas under the baton of Toscanini.