Corky st clair biography sample

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corky st clair biography sample

This was meant to be a Call-Back to a song called "Nothing Ever Happens In Blaine" that got cut; note the audience's roar of laughter when it starts.

  • Only Sane Man: Band leader Lloyd Miller seems to be the only person in town who doesn't reside entirely in Cloudcuckooland, but his lack of assertiveness means that he doesn't get much traction when trying to deal with the others.
  • See You in Hell: In a Deleted Scene, this is the devastating climax of Libby Mae's audition monologue.

    "Susan"(after pulling the plug hooked up to her brother in his hospital bed): And who's on top and who's on bottom, now?

    Rounding out the cast is Dr. Despite being what most working New York theater actors would consider pathetic, Corky thinks of himself as a visionary artiste.

  • The Albertsons too. Not only is the Martian clearly visible walking into position onstage, unobscured by the scenery, before the UFO door drops for the intended first view of the character, but the UFO facade and costume weren't considered carefully, leading to the alien head being too wide to pass through the door head-on, leading to a comical head bonk.
  • Stylistic Suck: The musical itself.

    only instead of New York City, she's stuck in Sipes, Alabama, working at the local Dairy Queen...

  • Bigger Is Better in Bed: Ron is apparently quite large down there, turns out that he went Jefferson City for a reduction surgery at his wife's insistence. And wouldn't that be something?

    Personality… cheery, odd, effeminate.

    They have the sound and the brio of 1940s musicals, and the literal-mindedness of people determined to shoehorn cosmic significance into a perspective.

    Tension is generated when it becomes known that a man named Guffman, a famous New York producer’s agent, will attend opening night with the thought that “Red, White .

    During their performance, a distinguished man arrives late and takes Guffman's seat, but we later find out that he's just a random guy. Allan Pearl, a notably stiff dentist on a quest to uncover his hidden talents, while high school teacher Lloyd Miller becomes increasingly exasperated as the musical director.

    Corky, leveraging connections from his past experience on the “off-off-off-off-Broadway” circuit, invites Mort Guffman, a Broadway producer, to watch the show and potentially offer a review that could catapult them to Broadway fame.

    When Johnny is pressured by his skeptical father to leave the show, Corky steps into his roles, which are explicitly meant for a youthful, rugged performer. (Whether or not they actually do.) And for that they adore him.

  • Blaine, Mo., was founded, we are told, 150 years ago, by settlers who were trekking to the West Coast and stopped when their leader “smelled the salt air.” Its place in history has been assured by two events: A wooden stool made in Blaine, presented to President Grover Cleveland, led to the city becoming “stool capital of America.” And in 1946, a flying saucer landed nearby.

    and Blaine” might travel well to Broadway.

    The comic tone of “Waiting for Guffman” has grown out of Second City and the classic SCTV TV show. Or listen to small touches as when the descendant of Blaine’s original settlers sighs, “I know how the Kennedys must feel.” Some of the laughs are so subtle you almost miss them, as when Corky warns the dentist that his oversized plastic glasses would be out of place in a scene set in 1846–but neglects to remember his own earring.

    If you see the film, don’t leave before the closing credits, which include several “movie collectibles” that provide maybe the loudest laughs in the movie.

    Nobody ever seems to have met Bonnie, and there are hints ("I buy most of her clothes") that "Bonnie" may be a cover story for crossdressing or some more peculiar activity.
  • Hopeless Auditionees: The tryouts for Red, White & Blaine bring out a lot of local weirdos doing strange shtick, like a guy who reenacts a Cluster F-Bomb scene as two characters from Raging Bull without bothering to imitate Robert De Niro or Joe Pesci, and a man who sings Lou Christie's falsetto pop classic "Lightning Strikes" in a flat voice.

    Corky assures the cast that Broadway producers typically arrive fashionably late, which comes to fruition when a man does eventually sit in the reserved spot.

    Unfortunately, this man turns out to be Roy Loomis, there to visit his niece’s newborn rather than to critique the show. That's what you are!

    It looks like the man everyone's banking their careers on has arrived... In a sequence which, I gather, was improvised by the actors themselves, a group of locals audition for Corky and the local high-school music teacher (Bob Balaban), and we see an extremely literal interpretation of “Teacher’s Pet” by a local fast-food worker (Parker Posey).

    Others in the audition include travel agents (Fred Willard and Catherine O'Hara), who have never been out of town but have travelers’ imaginations.

    He claims to have a wife named Bonnie, who remains an enigma to everyone in Blaine, serving as his excuse for shopping for women’s clothes and accessories. I'm left with zero, in which, in which, what can I do with zero, you know? Within the resulting crater, it was “always 67 degrees with a 40 percent chance of rain.” Local residents were invited aboard for a potluck supper, and one of them still has no feeling in his buttocks.

    Obviously, such events cry out for dramatic treatment, and for its 150th anniversary, Blaine obtains the services of Corky St.

    Clair (Christopher Guest), a “relocated” Broadway wanna-be who will stage an amateur theatrical pageant.

    Waiting for Guffman 1997

    In the quaint and idiosyncratic town of Blaine, Missouri, a unique ensemble of residents gears up for a community theater production orchestrated by the delightfully eccentric director, Corky St.

    Clair. Through all the ups and downs (and more downs) of the pre-production, everyone in Blaine still can't wait for opening night and the arrival of Guffman, upon whom the cast and crew's dreams rest.

    The title of the film is a reference to the Samuel Beckett play, Waiting for Godot.