Beatrix ost biography examples
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She’s published several big, beautiful books; her most recent, The Philosopher’s Style, is a compendium of her photographs, paintings, bons mots, and stories. But she has become best known for being Beatrix, for how she looks, the clothes she wears, the way she conducts herself in the world—in other words, her style, her very way of being.
[It’s] on the same plane of creativity.” Her most recent book, The Philosopher’s Style, is a collection of interviews interwoven with images, stories, drawings and art from an incredibly varied lifetime.
I feel certain now that this was her plan, allowing me a few minutes alone to absorb everything around me, this new world I’d been welcomed into, which was unlike any I’d been in before. The world teases the artist’s vision and symbolism to transcend the commonplaces of fact. With its dramatic black and white tiles, it has an old-world charm evocative of some splendid Wiener Werkstatte café.
Off the hall, which the Coles called a “summer living room,” there are two symmetrical sitting rooms in front, and a transverse corridor containing two graceful mirror-image staircases in the rear.
Ost and Kuttner, a developer and the former CEO of Hampshire Group, Ltd., a holding company that markets apparel, have filled Estouteville with their considerable collection of mostly early 20th century antiques and decorative arts.
I sit on a yellow leather couch. A resident of the U.S. since 1975, she divides her time between Charlottesville and New York City.
In Her Own Words:
Happiness, for me, emerges from the treasure trove of mental DNA, the double helices of perception and philosophy from which our inner ecosphere is built up, filament by filament.
“It will be wonderful to show the work on the west coast in Los Angeles – to a different clientele as well,” she says happily.
As more fans discover her work, Ost’s creative process remains the same, drawing inspiration from life and social issues and putting them into her painting. “I’m always in equilibrium of mind and body – I’m deeply satisfied and happy with what the day will present to me.”
Make sure to follow Ost’s latest projects on her Instagram account.
This Schön!
She even found a pied-à-terre in Charlottesville she’s begun fixing up, for when she doesn’t want to come back to the too-quiet country after a night on the town. She told me she always has a deep sense of wonder and surprise at being where she is, in this house, surrounded by hundreds and hundreds of Virginia acres. Numbers.
Neither of us could believe it. It was just there. She insists she is not a shopper, and while I don’t totally buy this, I know what she means. For better or worse, she has become her art, and the rest of it—her painting, design, sculpture, and writing—orbits her like many smaller moons.
The first time I met her was in September. Unquestionably an “old soul,” she doesn’t sweat the small stuff, but chooses to focus on what really matters: a heart and mind fully engaged with the world around her.
Ost found the experience of writing a memoir to be a profound journey where “the story comes out in pieces” with one memory triggering another. “I’m good at recalling scenes from life past,” she claims, “but I’m more impressed [by] being in the now, in this moment’s beauty!”
Born in Stuttgart, Germany in 1940, Ost took to art quickly, beginning her painting career at the age of twelve.
“I’m not very active,” insists Ost. “It just seemed to happen from people’s interest in my stories!”
For someone who seems perpetually busy, Ost needs no reminder to live in the moment. She draped a dark shawl over her shoulders.